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Star Trek: Deep Space Nine Companion

The triple portrait of Dorian Gray

I recently read The Picture of Dorian Gray Wilde and I saw two films that were taken, one in 1945 and another in 2009.

there are at least a dozen film versions , including a Hungarian in 1918 with Bela Lugosi and a German-Italian-British 1970 with Helmut Berger of whom it was said: "One of the Most Interesting Things Dallamano does with Dorian is to wrap Him In Zebra fur. Dorian has zebra drapes on windows and zebra His His fur rugs on floors. By the end of the film Dorian is dressed in a floor length zebra fur coat that would make many pimps in 1970 envious.” (“Una delle cose più interessanti che Dallamano [il regista della versione con Helmut Berger] fa con Dorian è rivestirlo di pelli di zebra. Dorian ha tende di zebra alle finestre e tappeti di zebra sul pavimento. Prima della fine del film Dorian indossa un cappotto di zebra lungo fino ai piedi, che avrebbe reso invidiosi molti papponi del 1970.”)

Di per sé, che un adattamento cinematografico segua più o meno pedissequamente il romanzo che lo ha ispirato ovviamente non dice ancora nulla sulla qualità del film. E non dice molto neppure sulla “fedeltà” understood in a general sense. After all, fiction and film are different languages, have time, methods, different syntax: a movie so it can keep some of the spirit of the first book while taking various liberties with the letter of the text. I have heard repeatedly quote Lord of the Rings Peter Jackson as a positive example in this sense, and agree.

What happens from this point of view, these two incarnations of Wilde's novel on celluloid?

The Picture of Dorian Gray of 1945 was written and directed by Albert Lewin in the United States, which for most of His career was mainly writer, proofreader and executive producer of screenplays: the protagonists are Hurd Hatfield in the title role and George Sanders in one of his cynical mentor, Lord Henry Wotton (and Angela Lansbury, a young, plays Sybil Vane, the first woman loved by Dorian). In Dorian Gray British in 2009 the two are played respectively by Ben Barnes (best known as Prince Caspian of Narnia) and Colin Firth : The writer is the newcomer Toby Finlay, while the director Oliver Parker has turned half a dozen films including two productions of Oscar Wilde.

version of 1945 is considerably higher. There are two aspects of the cinema of that time and place that played to its success. These are two aspects that are a priori limits on the freedom of those who make a film: black and white (but this talk about it now) and the Hays Code (and this talk about shortly).

version of '45 is in a beautiful black and white, with shots of the elegant mansions of Dorian and other characters and sinister shadows that cut the scenes of our infamous local frequents in his pursuit of pleasure. The film is one - actually, two - a concession to effettaccio to hit the viewer: The first time you see the portrait of hero, perfect in his youth and beauty, and then again when it reappears years later, turned up to the age and vices beyond recognition, we see him briefly in the splendor of Technicolor. Even if he wanted to show more explicitly the moral degradation of Dorian Gray, at that time would not have been possible.

Notoriously the Hays code, or more properly the "Motion Picture Production Code" , imposed tight limits to the topics that could be mentioned in a movie, and the world in which they could be shown. In particular, any allusion to sex was out of the question. Even a married couple could not be shown together - even sleeping - in a double bed, not to mention adultery, homosexuality, perversions ... But in this case, I find that the prudishness of the Hays Code and the Victorian morality of the time of Wilde's well-tuned form a union: the first works to preserve the oblique allusions, ellipses, due to the brief fleeting second and good taste of Wilde .

For example, in the novel it is said that

Women who HAD HIM wildly adored, and for His sake HAD braved all social complaints and September convention at defiance, Were seen to grow pallid with shame or horror if Dorian Gray Entered the room.

(Women who had passionately adored [Dorian Gray] and he had faced criticism and challenged the conventions of society, were seen pale with shame or horror if Dorian Gray entered the same room.)

And in the 1945 film is shown in this particular situation .

Another striking moment of the same film is one in which Dorian is in a place where he is waiting for something disreputable. Listen to imagine a pianist until he opens a door that frames a scale almost expressionist going upstairs: our crosses its threshold, imagine the following, and closes the door behind him. End of scene.

The films of 2009, invece, è infinitamente impaziente e anche didascalico: in una situazione analoga ci mostra con gran copia di nudità e umori che cosa succede al piano di sopra. Paradossalmente, sembra un film - per così dire - per bambini. Un adulto può immaginare il tipo di posti in cui Lord Henry porta Dorian per fargli conoscere la vita e i suoi piaceri, ed è a questo adulto che parlano il romanzo e il primo film. Il secondo film invece parla al distratto che, figuratamente, dice: «Dov'è che lo porta? Al circo?», e gli mostra un bordello con dovizia di dettagli. Ovviamente, non c'è niente di male nel mostrare l'interno di un bordello vittoriano, e in altre circostanze può essere un soggetto interessante. Ma qui è, paradossalmente, misleading to the story it tells. Indiana Jones If you grab a vine to escape a trap, Spielberg makes little about the biological mechanisms that led to the formation of this species of plant with vines.

The vines are to Indiana Jones to save and to continue the story, as well as local misconceptions serve to Dorian Gray for damage and to continue the story.

But the worst thing is that being so explicit is a little 'how to explain the jokes ...

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sync - EARTHQUAKE MEDIAN / SUMATRA - 06/04/2010

Quickly write to freeze this interesting timing.
The coincidences do not exist, as for me and my feelings, there are synchronous abstract thoughts, materials, signs, dreams and any other signal captured by our self.

Yesterday was almost in trance, as often happens to me, I described the lucid dream that I had done that night.
In una sorta di scrittura automatica che mi accompagna da quando ero bimbo ho usato termini particolari, per descrivere sensazioni e visioni altrettanto particolari.

Ieri sera rileggendo attentamente quello che avevo scritto, per capirlo e studiarlo un pò, la mia attenzione è andata su un termine in particolare...." MEDIANICA "... aggettivo che ho usato per descrivere una pioggia spirituale da cui attingere informazioni.
Ho riflettuto spesso prima di addormentarmi, su come è possibile scegliere parole appropriate solamente con la consapevolezza di uno stato alterato della coscienza...
Il termine " MEDIANICO " ha questo preciso significato:

Caratteristico di un medium; that occurs with the work of a medium SIN paranormal.

A medium (from the Latin medium , 'half') is a person who is alleged to serve as intermediary for the manifestation of spiritual entities (mainly including the souls of dead people), for Written off ( psychographics or automatic writing), oral ( EVP), or by generating a special substance, ectoplasm, which enable the spirit entities materialize and to move objects and people.
(wikipedia)

Things to keep in mind so far are thus:
Automatic writing with which I have described that dream.
The median word on which I have focused the attention of all, reading the script.
The meaning of the word that derives from MEDIUM.


This morning, tornado from work by car, I reflected again on that word, and the memory went to a comic book called COP ELTON, namely the number two in the month of October 1991, entitled "Earthquake median" .
That word, which I used in the description of lucid dream, by association, and symbols I've linked to this comic, which I have stated several times in my room and now in the new house is tucked away in a bedroom studio.



We must say that Elton Cop is a character who solves his problems getting in Lucid Dream and perceiving reality in a different way.

Here we can see some images that bear witness to what I wrote.

Then we add to the list mentioned above that the main feature of the comic book character è il SOGNO LUCIDO.


Mentre guidavo.. tutte queste riflessioni, che ora sto trascrivendo per focalizzarle al meglio, erano limpide ma veloci, un flash, un rapido fiume di pensiero cosciente in un battito di ciglia.
Mentre questi flash andavano e venivano ho sentito dalla pancia un messaggio chiaro e limpido che ho condiviso con un mio amico prima di rientrare a casa.


"Sento che c'è stato un terremoto ieri e in qualche modo l'ho intuito."

Corro a casa sapendo già cosa dovevo guardare, apro internet, cerco tra le news e trovo:

Terremoto 7.7 in Sumatra, tsunami risk

RE-TSUNAMI WARNING.

The quake, previously reported as a magnitude 7.8 and later corrected to 7.7 occurred 200 km off the coast of Sibolga on the island of Sumatra, Indonesia, at a depth of 31 km. The figures were released by the U.S. Geological Survey. Do not think there is an agreed destructive widespread tsunami, but the Pacific Tsunami Warning Center did not rule out that the shock wave caused by the earthquake may affect the coastal areas near the epicenter. The quake was recorded at 5.15 local. 00:15 The Italian.

I sync are often insights that can start from any internal or external signal, since there is nothing in this world that is random and is not connected.

WE ARE ONE

Clear Cervical Mucus Before Period

Lucid Dreaming - WILLOW THE SOUL - 06/04/2010 - About 2 hours

Mark was tired ... heart needed to rest, connected to the warm tides that night, stripped away by the trembling spark imagine, drowsy from the vibrant and subtle substance that helped him to abandon the body ..... fell asleep with the intention to be a trip, or at least try. Try

omnipotence gloss of a lucid dream, shaping the reality around with the hum of the soul master the many laws of this universe is like a shaman in trance connects with the essence of life itself, to expand awareness to the perception of aspects thinner, normally silent in the rational mind.

Marco then abandons his usual position to pick it up in a few inches of the bed while having an ocean of stars to sleep ... he turns his face to the ceiling and stretched his arms and long legs himself and trying to relax slowly, without forcing too much, letting go the absence of thought, feeling the idea of \u200b\u200bhimself as related to its energy source, bursting into a break down ... and then reborn in the back together.

Un'aspirale through parallel planes in his follow its shape, like a rock down into the depths of an ocean, like an ocean that fills the void of the earth as the earth rotates moving in the universe, as the universe that contains itself and of itself is fully conscious.

The illusion of time vanishes ... and with him goes the distance and space, matter and its low vibration, everything around becomes more ... and that all he melts like a drop of tears that reach the sea and the sea itself becomes ... the sea and the sweet tears that he has achieved.

But something does not work, something brings him back to the reality of that room, like a rubber band stretched to its limit to stroke that returns to the starting position ...

again in his body, again the white ceiling pierced by a ray of artificial light, arms and legs along the body and the window from which the light is always there.

"Always there" thought Mark ... 'It's always there, in front of me, where I left some time ago. "

"Why do I feel so strange 'Cause I feel so restless? What is this feeling? "

Marco looked around for a point that would involve, in carrying on, a dark shadow in the darkness snatched again .. but nothing, everything was back to its initial state ... everything was familiar, that light that window ... that light that window .... ....... that window ... the window.

What was unusual about that window?

"Yet there is something strange in that window .." Marco thought ... "Is there anything yet I can not figure out what .... tried Marco .. What's wrong? "

His head process information, comparing those details with those of his memory, he ran for associations and digressions .. hopping between assumptions and illusions ... melted in appearances and suggestions ....

When suddenly like a mindless love, truth brightened his spirit, his breath froze and turned his heart began to become Fire.

"The window is on the contrary!

" This is exactly upside down ... The curtain extends from the ground up and swinging a few inches from the ceiling, shutters give way to heaven at the top and I can see the hidden station reflected in the glass from the bottom of the bed "

Marco began to realize that they have a real body, but just the idea of \u200b\u200bit.

hands there were no eyes, but the heart.

Before the fear or thought they could take him by surprise he decided to get off the bed and touch the soul that really familiar but unknown.

not had time to think of it that lies at the foot of the bed ... anywhere in the room he wanted to go, that same will propel him to the desired point, began to feel in control of the early manifestations and decided to do not turn around to see if there was himself in bed sleeping ...

"I do not want ... do not scare me tonight .. I would stay as much as possible .......... Exit this room!"

He found himself in the hallway leading into the room where his life is changing from its cocoon where the caterpillar is changing into a butterfly, that magical room that recommends and urges ...

she was there all around, with his eyes interdimensional YOU, YOU who is fire and light in that room and sang for him in a sea of \u200b\u200blove ...

she was his same energy that had lodged in that place like stardust.

So he decided to meet her ... in that world as real as thin, in that realm and we are taking in too unknowingly contained in that sigh ... life is too real to be misunderstood and hidden ...

through the door without even addressing the problem of open and wanted to get off with all the time necessary to create the world she wanted to see her again ...

"A beautiful wood ..

a beautiful meadow ...

sunset ...

you ... just in this house ...

you, so close to me ... so tied

to me freely ... " When she thought

out was already out ... and when she thought her ... she was there ..

Sitting on the trunk of the beech, the shoulders as he saw it in physical reality, the collection in its perceptions, absorbed in his insights .... and beneath a coat of light that she supported it, caressing the roots and wings, hopes and dreams ....

He tried to call her, did not open his mouth and his voice is transformed into feeling ... she heard it but did not move, like a bride who hears the steps in front of the altar of love and not After waiting for the most important moment.

She looked beside her and saw half the trunk for him, also supported by the hand God of the universe, the throne of the heart, the bed on which she laid her soul ... light and free, unlimited and indivisible.

He sat down beside her looking at it from infinity, all angles in this consciousness could be perfect ...

Behind them a willow tree, bright and alive ... alive as the whole world, as bright as the entire world.

Without thinking and guided only by his true self, took her hands two branches that came down on him like a rain mediumship ... was made through the feeling of that touch morphic, the full range of meanings are difficult to conceptualize, but very easy to absorb ... he became stesso salice... divenne le sue foglie dolci, i sui rami sottili che poteva controllare uno a uno... anche di ogni sua foglia era consapevole, come fossero le dita della sua mano...l'idea di corpo fisico già prima rarefatto, scomparì del tutto, lasciando il posto all'immensa sensualità di quella nuova forma....

Vide LEI con gli occhi di un Salice, e vibrò sensazioni da albero, e danzò con eleganza e grazia come mai riuscì a fare nel suo lontano corpo da umano.

Provò a muovere le sue fronde, cercando di avere il pieno potere su ogni singolo tralcio, sembrava ci fosse un vento caldo e silenzioso e invece era il suo emozionante sperimentare quel nuovo involucro che ora ballava per LEI.

Come si muovono le braccia per accarezzare un fratello, così lui mosse due rami brillanti che LE sfioravano il viso... le portò vicino alle SUE tempie e la rapì da quel corpo, donandogli il suo per divenire una cosa sola con LEI....

LEI mutò forma.... seguendo quella nuova configurazione energetica si fuse in lui e divenne lui... entrambi parte di se stessi e dell'altro.. entrambi consapevoli di ogni foglia, di ogni vena di linfa, di ogni più piccola parte di quell'UNO ritrovato...frammenti scintillanti fusi in un sigillo armonico e equilibrato, poetico e mutevole...

Un'anima sola in un solo pensiero cosciente, un'unica note of a symphony sensual and seductive!

Babysitter Giving Bath

Kurt Gödel and the demonstration of god

is out my article in the latest edition of the journal "Noncredo" , about the so-called proof of the existence di dio elaborata da Kurt Gödel. Eccolo qui (compreso il paragrafo finale di bibliografia che non è comparso sulla rivista).

Kurt Gödel e la dimostrazione dell'esistenza di dio

Kurt Gödel fu uno dei più grandi logici di tutti i tempi. Gli si devono alcuni risultati fondamentali in vari ambiti della logica, i più noti dei quali sono i teoremi di incompletezza, che descrivono i limiti intrinseci di qualunque sistema formale.

Tra le carte di Gödel - ne parlò a un collega nel 1970 ma probabilmente risale a molti anni prima - si trova anche una dimostrazione, concisa (due scarse manuscript pages) and pure logic, the existence of god. In fact it is a reworking of the various ontological evidence with which, from Anselm to Descartes and Leibniz, it was examined by the rational necessity of the existence of God, starting from an abstract definition of the Supreme and showing that as a result of this definition, the entity can not exist. One of these versions, simplifying, is to say, "define God as the entity with all possible perfections, existence is a perfection (as opposed to not exist), and then God exists."

The proof of Gödel

The main innovation introduced by Gödel is to make explicit the possible assumptions that could previously be implicit, and using the formalism and methods of modal logic, that is the kind of logic which takes into account the "mode" statement is not only true or false, but it may be true in a way necessary or possible (ie its negation is not necessary) or quota (that is not necessary neither it nor its negation), or otherwise.

simply, the line of the proof of Gödel part by formally defining the concept of "positive properties." Intuitively, this is the classic attributes, or perfections, such as omnipotence, immortality, justice, compassion and so on. But of all this, as in Gödel, no mention is made. Describes the positive properties in the abstract, calling as it does for mathematical entities. We declare that the union of two positive properties is still a positive property, that if something is not a positive property then so is its negation, and so on.

God, or rather the property that G is interpreted to mean "being god", is thus defined as property which is to have tutte le proprietà positive.

Vengono inoltre dati alcuni assiomi, i veri e propri punti di partenza del ragionamento, tra cui per esempio il fatto che l'“esistenza necessaria” sia una proprietà positiva, e che ogni proprietà che sia conseguenza di una proprietà positiva sia a sua volta positiva.

A partire dalle definizioni e dagli assiomi si sviluppa una serie di passaggi che, pur costituendo la dimostrazione vera e propria, paradossalmente ne sono la parte meno interessante e più tecnica rispetto all'impostazione generale e agli assunti scelti per dare il via al ragionamento. Applicando gli strumenti della logica modale si deduce dapprima che è possibile che esista qualcosa che ha la proprietà G, and then that it is possible that there is then necessary. Therefore, God exists.

What's wrong?

One of the merits of the transaction by Gödel, is to have fully explained the terms that are used in this type of demonstration, and relations between them. To quote Robert Even, "in every case the work to formalize and, therefore, for clarification, made by [Gödel] is worthy of admiration, even though it seems to me, by these concepts is unlikely to tear out out something relevant." Indeed, beyond its merits, the proof of Gödel suffering in much of the same type of defects in all other ontological proof that preceded it, flaws that Kant had already highlighted.

Firstly, the starting point of reasoning, that the axioms that are taken as the basis for everything else, I'm not really much more obvious or easy to accept conclusions that are drawn. It was also noted that although the axioms do not lead to formal contradictions, could lead to a contradiction when interpreted in terms of moral or physical, for example you can not agree that the union of two positive properties is still a property positive, or is even conceivable (as happens with attributes that are not fully compatible as transcendence and the ubiquity).

is also difficult if not impossible, to move from the purely abstract world of logical ideas to the concrete existence of something (god, in this case) and deducting this from them. And it is already questionable considering the fact of existence itself as a property or perfection. For many philosophers it is simply a case of the copula, the verb "to be" in a sentence. Finally

many, even believers would not share the concept of God described by this type of demonstration, or even would disagree with the idea that it is impossible to define in human terms the essence of a god, much less, then manipulate it with formal proceedings.

Gödel and god

So how is it possible that one of the greatest minds of the twentieth century has fallen into the age-old temptation to solve a problem with methods that land by its very nature does not lend itself this approach?

First of all, we're talking about a private appointment. It is likely that only a little over a year, a formal analysis of a certain reasoning, Gödel referred merely to highlight the structure and explain the content, in the light of the language and methods of modal logic.

Secondly reasoning of this kind, ranging from purely the metaphysical sense, is an expression of a certain mindset, brought to an extreme. In logic, if a formal system (a set of symbols and rules to manipulate them) does not contain contradictions, that is if you can not deduct both inside a statement is its negation, then in some sense, this system exists. Typically, this existence is completely abstract: it is possible to construct a "model" that develops the mathematical properties of that formal system. Normally you do not intend that there is some physical object - or metaphysical - described by the formal system. In the same spirit, it seems that Gödel was interested in studying the non-contradiction - and then, in theory, possibility - of various scientific theories and not, including spiritualism, survival of the soul, and so on.

Finally, it appears that Gödel considered himself a theist and actually had a keen personal interest and, we might say, a very open-minded towards many other possibilities in life beyond death and the transmigration of souls to paranormal phenomena. On this we can not say much, because Gödel tended to be coy about his personal views and very rarely expressed in public, most of what we know comes from testimonies from friends or from private correspondence, including letters in which the mother warned of the potential in this boastful field.

I would like to conclude with a quote from Gödel's notebooks: "dedicated to the philosophy is healthy in any case, even when it does not show any positive result (but I remain baffled). It has the effect that "the color looks brighter," that is the reality that appears more clearly as such. "

Further Reading

Main is demonstration that the real place that work and in life and in the history of Gödel's ontological proof, it is valuable the volume Kurt Gödel, The mathematical proof of the existence of God , edited by Gabriele Lolli and Piergiorgio Odifreddi (Bollati Basic Books), where the text of the demonstration and the other for scarce notes taken from the notebooks of Gödel is accompanied by useful in-depth essays, includes an article of the great mathematical logician and philosopher, a true "master lay," which was mentioned Maybe Roberto, founder of the magazine among other neo-Enlightenment Doubt .

The possible incompatibility of divine properties between them, which was mentioned above, see the article by Theodore M. Drang, "Incompatible-Properties Arguments: A Survey" (published in the journal Philo and now available online at http://www.infidels.org/library/modern/theodore_drange/incompatible . html).

To learn about the work of Gödel in general and in particular its incompleteness theorems, advice The proof of Gödel Ernest Nagel and James R. Newman (Bollati Basic Books) and the ride through logic, art and music that is Gödel, Escher, Bach di Douglas Hofstadter (Adelphi).

(Fonte dell'illustrazione: http://en.wikipedia.org/wiki/Gödel's_ontological_proof )

How To Make Sausage And Bean Pie

THAT YOU READ - Words from my past -

There have been times in my past when I have pain related to a flow of intense remembrance of me. Connected to
information clear and lucid. Then I forgot, did I forget to not be able to share this energy, now I remain astounded than they already know without trying it out without the need for videos, documentaries or books.
These documents are evidence that we know everything ... you only need to remember to open and start to draw from our true self.

THAT YOU READ - (Summer 1996)

time off to cover its roots with the cry of deaf dumb shadows, figures resigned to the expectation of nothing.

on this land where you now rests your story, once someone lamented the disappearance of their liberty.

Do you think that is not a sin to ignore the star has always observed from infinity;

no remorse in letting the fading blue of the sky from the smoke of our selfishness.

happily returned to chew your limits, to absorb the indifference of our race, but where are you now, one day many men rested their members to pray that sun which has now a particularly uncomfortable, that moon that spot tonight consciousness of the universe.

We are all tied to this life for too short a time, there flowing in and not worry about saving the air we breathe our children.

Turn the page to hear poets pessimists, who are the pessimists? They are asking that you who ignore them?

's delete the reality that surrounds those who wrote to us, those who try to tell us something, but sin is stubborn and eternal and one day will return to black spot that fake light that surrounds us.

Life, which threw up on this immense gift, but is never the same for all reserves two slides to never forget.

For most of it we love to celebrate the day when there was a gift for each birthday a photo album full of false smiles, consciousness silenced, hidden from the lens ....

If you could go out to talk with the guests would say: "A year younger than the end" ... but ruin the party at all.

We do not like that slide .... we like to feel immortal until one of those fake smiles that will make less gray stone on which is written the day when we were born and when we are dead.

will be so for me that I am writing to you and you're reading ... not true la pena quindi voltar pagina ne ora ai miei pensieri, ne dopo ai tuoi.